Nocturne
Est. 2014 — Toronto

Nocturne Records is an independent label built for artists who work in the dark. We sign for the long arc of a career, master the room you'll actually play, and keep the masters in your name.

  • Artists keep their masters
  • 50/50 profit splits
  • No 360 deals — ever

Our records have lived on the stages and screens that matter

PitchforkBoiler RoomKEXPNTS RadioRough TradeResident Advisor
The roster

Eleven artists. One after-hours sound.

Ambient, downtempo, neo-soul, and the kind of electronic music that only makes sense at 2 a.m. Every act on Nocturne is signed, developed, and toured by the same five people.

Dream-pop

Velour Static

Two records, 38M streams, and a sold-out night at the Danforth. The act that started the label.

Downtempo

Marrow & Hollow

Slow-build instrumental sets sampled by three Billboard-charting producers in 2025 alone.

Neo-soul

Iris Vega

A voice built for last call. Her debut EP 'Low Light' held the Bandcamp soul chart for six weeks.

Ambient techno

Northbound Ghost

Resident Advisor's 'Breakthrough Artist 2025' and a regular on the European warehouse circuit.

Trip-hop

Sable Tongue

Cinematic, sample-heavy, and licensed to two A24 trailers and a Netflix limited series.

Indie folk

The Quiet Part

A four-piece recorded entirely live to tape in our Parkdale room. No overdubs, no autotune.

For artists

A deal thatreads like a partnership.

We built Nocturne because we were tired of the deals we were offered. Here is exactly what signing with us means — in plain language, before you ever see a contract.

You keep your masters

Your recordings stay in your name. We license, we don't own. The catalog you build is yours to leave with.

True 50/50 splits

Profits split down the middle after recoupable costs — and we publish the recoupment math line by line, every quarter.

We front the studio

Recording, mixing, and mastering at our Parkdale and Berlin rooms, fully funded. Analog tape and a 1973 Neve on request.

Sync that actually pays

Our in-house team placed 41 tracks in film, TV, and games last year — averaging $9,400 CAD per placement to the artist.

Tour support, not tour debt

Routing, advances, and a tour manager for your first three runs. Non-recoupable up to $15K CAD per cycle.

A roster, not a queue

We cap signings at twelve artists. You get the same five people in the room — not a rotating cast of juniors.

Twelve years, eleven artists, zero 360 deals

210M+
Total streams
41
Sync placements in 2025
50/50
Artist profit split
100%
Masters kept by artists
From the roster

Why our artists stayed.

They handed me a recoupment statement before I asked for one. After two majors, that was the moment I signed. I still own every master I've cut here.

I
Iris Vega
Neo-soul artist, two EPs on Nocturne

The sync team got 'Hollow Year' into an A24 trailer and a single placement out-earned my last advance. They treat licensing like an art form, not an afterthought.

S
Sable Tongue
Producer, signed 2022

Tour support that doesn't come back as debt is almost unheard of. They covered my first European run and never put it on my ledger. That's the whole difference.

N
Northbound Ghost
Ambient techno, RA Breakthrough 2025

Before you submit a demo.

Do you take ownership of my masters?

No. Nocturne licenses your recordings for the term of the deal — typically two to three records. You retain ownership, and the masters revert fully to you when the term ends.

What does the 50/50 split actually mean?

After recoupable costs (recording, mastering, marketing) are paid back from revenue, every dollar after that is split evenly. We send an itemized recoupment statement each quarter so you always know where the line sits.

What are you looking for in a demo?

Two to three finished or near-finished tracks and a sense of who you are as an artist. We sign for a five-year arc, not a single — so a clear voice matters far more than a clean mix.

Do I need to be based in Toronto or Berlin?

No. Our studios are in Parkdale and Berlin, but our roster is spread across four countries. We fly artists in for sessions and fund the travel as part of the recording budget.

How long until I hear back?

Every demo is listened to by a human — usually one of the five of us. Expect a reply within three weeks. If it's a yes, we'll set up a call before anything is signed.

Send us something for the dark.

Two or three tracks. No managers, no gatekeepers, no submission fee. A real person listens to every one.